Some Sefton Park, Palm House weddings feel carefully choreographed. Others feel alive. Beccy and Chris’ day managed to be both – thoughtfully planned yet full of moments that couldn’t possibly have been scripted.
As The Taylors Film And Photo, we’re a North West and destination wedding photography and videography duo with a simple approach: stay out of the way, stay alert, and let real moments happen.
We work in a relaxed, unposed and candid style, using high-end cameras alongside gimbals, drones and the occasional action cam to build a layered, cinematic record of the day without turning it into a production.
From a Liverpool Cathedral wedding ceremony to an unforgettable Sefton Park Palm House wedding day, Beccy and Chris gave us everything we could hope for as a wedding photography & videography duo: scale, emotion, humour, and just enough chaos to make it unforgettable.
The day began with the kind of quiet buzz that only weddings generate. Beccy was getting ready with her closest people around her, the room full of soft nerves, laughter and the low-level logistics that come with a big day. There was no sense of rush or drama – more a feeling that something important was about to happen.
Meanwhile, Chris was just a few minutes from their Liverpool Cathedral wedding venue, surrounded by his own circle, trying (not entirely successfully) to appear calm.
One of the things we always look for as Liverpool wedding videographers is contrast: the outward composure versus the tiny tells – a pause, a glance, a breath – that reveal what someone is actually feeling.
Palm House Wedding Photography & Videography
By the time guests began arriving at the Lady Chapel inside Liverpool Anglican Cathedral, the scale of what was about to happen was impossible to ignore.
The sheer scale of Liverpool Cathedral makes everything inside it seem tiny. The architecture is vast without being cold, dramatic without feeling theatrical. It’s a setting that makes it one of the most striking Liverpool wedding venues for photography and film.
When the doors opened and Beccy appeared with her father, the mood in the cathedral shifted instantly. Her walk up the aisle was, without exaggeration, one of the most joyful moments we’ve ever captured as Liverpool Cathedral Liverpool wedding photographers and filmmakers.
“Their cool, chilled approach instantly put us at ease, and we had total trust in their skills and confidence. The photos and videos are truly spectacular, and the extra touches they added made everything even more special.”
A full choir sang as she moved down the aisle, her smile impossible to miss even at a distance. Genuine excitement, shared with everyone in the room.
Halfway down the aisle, our camera was positioned to catch Chris’ reaction. He didn’t try to hide it. A tear appeared, then another. He smiled, blinked, laughed at himself slightly – the kind of response that’s impossible to fake and impossible not to feel.
Only after Beccy reached the front did the ceremony deepen further with a reading by Lady Anne Dodd, Beccy’s Auntie and the wife of the late comedian Ken Dodd. Her words were warm, thoughtful and personal – not performative, not sentimental for the sake of it. It felt rooted in real connection, which is always what matters most.
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With multiple cameras positioned discreetly – one locked on the aisle, another focused on Chris, others capturing the wider atmosphere – we were able to document the ceremony without disrupting it. No staging, no stopping, no direction. Just observation, the way a ceremony should be.
As Beccy and Chris walked back down the aisle together, the cathedral felt lighter than it had an hour earlier.
After the ceremony, Liverpool itself became part of the story.
Guests piled into a single, traditional bright red London bus – the kind that feels instantly nostalgic – and headed towards Sefton Park’s Palm House. Meanwhile, Beccy and Chris took a slower route in a classic vintage car, champagne in hand.
They moved through the applauding crowd at an almost theatrical pace – not in a showy way, but with the kind of effortless charm usually reserved for royal processions. It was hard not to think of Kate and Wills arriving somewhere impossibly elegant, except this version felt warmer, funnier and far more Liverpool.
Sefton Park’s Palm House is one of those venues that feels cinematic without trying to be. The structure itself – a huge Victorian glasshouse filled with greenery and light – makes it one of the most distinctive wedding venues in the North West.
By the time guests arrived, sunlight was pouring through the curved glass, giving the whole space a soft, luminous look. Drinks were poured, canapés munched on, and the venue filled with laughter.
Beccy and Chris arrived shortly after, greeted with applause and a kind of warmth that only comes from a guest list who genuinely care about the couple.
Liverpool Wedding Photography & Videography
As a Sefton Park photographer and Palm House videographer, this part of the day is always a gift. The light, the architecture and the atmosphere combine to create endless opportunities for natural, documentary-style imagery.
The drinks reception was underscored by gorgeous, soulful live music from an acoustic duo whose name, frustratingly, we’ve since forgotten – though their sound is firmly etched into the mood of the afternoon.
Sometimes the best performances are the ones that feel less like entertainment and more like atmosphere. And then came an unexpectedly cinematic ritual: cigars.
Among the boys, an almost ceremonial passing out of cigars took place, complete with exaggerated seriousness and mock gravitas.
It culminated in one of our favourite shots of the day – all of them gathered around Beccy, who had stolen Chris’ cigar and delicately popped it in her mouth with theatrical elegance. Equal parts iconic and ridiculous. Perfect.
As guests took their seats for dinner, the tone shifted again – from mingling to anticipation.
Sefton Park Palm House Wedding
Chris spoke with a mix of sincerity and dry humour, striking that difficult balance between heartfelt and self-aware. Midway through his speech, however, he was spectacularly interrupted by Beccy’s mum’s phone ringing out across the Palm House. The room erupted in laughter.
For us, it was one of those rare gifts as filmmakers – a moment so genuine and unexpected that it couldn’t possibly be recreated. Instead of cutting around it, we leaned into it, weaving it into the final film as a reminder that the best moments are always the unplanned ones.
Beccy’s father, John Lewis, brought warmth and perspective, grounding the day in family history without drifting into nostalgia for nostalgia’s sake. Then came the best men, Cameron Dawson and James Gregg, delivering their speech together with impeccable timing and gentle irreverence.
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From behind the cameras, we’re always watching faces as much as speakers. With multiple camera angles and long lenses, we were able to capture reactions without turning the speeches into a spectacle – a key part of our approach to wedding photography and videography in the North West.
As evening guests arrived and the Palm House transformed into a dancefloor, the atmosphere shifted again – this time decisively.
The Replicators took to the stage and immediately set a different tone. Their rock ’n’ roll energy filled the glasshouse, bouncing off metal and glass in a way that felt closer to a gig than a wedding band set.
This is where our toolkit expands: fast Sony cameras for low light, stabilised rigs to move through crowds, wide lenses for immersive shots, and occasionally an action cam for angles that would otherwise be impossible. The goal isn’t technical showmanship – it’s immersion.
For any couple searching for a wedding videographer at Sefton Park Palm House, this kind of atmosphere is what makes the venue so special. And then came the moment no one could have planned…
Near the end of one of The Milburn’s closing numbers, Beccy made a decision that felt perfectly in character. She climbed onto the stage.
At first, it looked like a joke. Then she grabbed a spare drumstick and began whacking away at a single 18-inch cymbal from the drummer’s kit – enthusiastically, confidently, and with timing that was, to put it kindly, wildly unpredictable. The band embraced the chaos. The crowd roared.
“Even when we threw our wildest ideas at them, nothing was ever too big or too much, they embraced it all with enthusiasm. It genuinely felt like they were as invested in our wedding day as we were.”
Within seconds, Chris was at the front of the stage, lifting Beccy effortlessly onto his shoulders. From there, she stayed for the remainder of the song, cymbal still ringing, hair flying, laughing like someone who had completely forgotten there was such a thing as a wedding schedule.
For a brief moment, the Palm House stopped being a wedding venue and became something closer to a festival. It felt less like a formal celebration and more like their own private Glastonbury – chaotic, euphoric and utterly theirs.
From a storytelling perspective, it was perfect. No direction, no staging, no repetition. Just a spontaneous moment that captured something essential about Beccy and Chris.
